As my garden is still full of lovely giant sunflowers, I took a photo of one of my sunflowers and started carving away.
Although I thought I was finished at the end of the first day of carving, when I looked at the photos the next day, I realised I was going to have to carve a lot deeper for the petals, as they weren't light enough to contrast well with the dark centre. At the end of day two, I again thought I had finished, but the next day, I looked at the these photos and thought, nah, I can do better, so dug out some more flesh from the petals, and took much more time over the photographs. I eventually caught a photo I liked, and prepped the image for Redbubble. There are two versions, one with the original background, and one with a plain dark brown background.
A Moti Pumpkin Sunflower, Pumpkin/Photography September 2019
Pumpkins Tips: Lighting Options
White LED Lamp
I use a mix of lighting sources when carving, photographing and displaying pumpkins. Whilst I am carving, I like a strong white LED lamp, as it helps me see clearly the progress of the carving. When showing off pumpkins outside and at a distance, this is a great choice. However, close up and for more detailed work, I find it a bit too strong. It lightens the dark areas a bit too much, removing subtle contrast and doesn't cast an even light over the inside of the pumpkin.
Sunflower Pumpkin with White LED Lamp
Electric Tea LightsI didn't expect to like the electric tea light option, but bought some thinking they would be convenient and safer for mobile displays. I got some that flicker slightly, and nearly forgot to use them. It was only on the third day of carving the sunflower pumpkin that I tried them, and they were actually my favourite option for photographing the pumpkin. The final version used three electric tea lights.
Sunflower Pumpkin with Electric Tea Lights
There is nothing like sitting in front of a carved pumpkin with real tea lights flickering away inside. They don't mix so well with a curious cat, and you need to ensure they have ventilation, so either have a design with big holes in the front, air holes in the back, or leave the top of the pumpkin off. I love the reddish tint they give off when I photograph them.
Sunflower Pumpkin with tea lights (three)
Last year, I sometimes used pillar candles in some of my designs. I found cutting the bottom of the pumpkin out helped lower the candle, so the larger single flame fell closer to the centre of the image.
Playing around with lightingIn this pumpkin, I used a sheet of white paper in front of a white LED lamp. This diffused the light and gave a lovely white area to the space in the pumpkin I cut through.
A Moti Pumpkin Puffin Pumpkin/Photography 2018
Other lighting effects can be used through bundles of fairy lights, coloured electric tea lights, foil shapes, sheets of coloured acetate.
The next challenge is going to be a fishing boat, complete with a template for you to try the carving yourself.
Lydia helping me with carving
Pumpkin Carving Hints and Tips Index:
- Preparing a pumpkin for carving (Pumpkin Owls and Preparing the Pumpkin)
- Transferring a simple layered design onto a pumpkin (Pumpkins Two and Three: Fishing Boats)
- Stretching an image to avoid distortion when carving (Pumpkins Six, Seven and Eight, and dealing with curves on a pumpkin)
- Pumpkin carving tools (Pumpkins Twelve to Fifteen: Local scenes and my pumpkin tool box
- Lighting a carved pumpkin (Pumpkin Sunflower)
- After carving (Pumpkins Nine, Ten and Eleven: Celtic Knots and Life After Carving)